I. The Origin of Civilization: Ancient Echoes Along the Lishui River
The historical thread of Zhangjiajie begins with archaeological discoveries in the Lishui River basin. The Lishui is one of the four major rivers in Hunan, and its upper reaches and tributaries wind through Zhangjiajie's territory, forming river valley terraces suitable for early human habitation. Since the 1980s, archaeologists have discovered multiple Neolithic sites in Yongding District and Cili County of Zhangjiajie, with the site cluster around Lingyang Town in Cili County being the most representative. These sites have yielded large quantities of polished stone tools, sand-tempered pottery shards, and animal bones, dating back approximately 5,000 to 7,000 years, belonging to the typical Zaoshi Lower Layer culture. This discovery pushes the history of human activity in the Zhangjiajie region back to the Middle Neolithic period, proving that as early as ancient times, the ancestors of the Wuling Mountains had already thrived and multiplied here.
Entering the Shang and Zhou dynasties, the Zhangjiajie region belonged to the domain of Jingzhou as recorded in the "Tribute of Yu" chapter of the Book of Documents. Due to its location deep within the Wuling Mountains, with towering peaks, dense forests, and crisscrossing valleys, the central plains dynasties found it difficult to extend their rule into this area for a long time. This region gradually developed a cultural pattern of multi-ethnic integration involving the Pu, Ba, and Yue peoples. During the Spring and Autumn and Warring States periods, this area became the southwestern frontier of the State of Chu, where Chu culture intermingled with local indigenous cultures, leaving behind numerous bronze artifacts with distinctive regional characteristics. Bronze swords, dagger-axes, and spears from the Warring States period have been unearthed in Cili County, their forms bearing features of both Chu and Ba artifacts, confirming the close military and cultural exchanges among various ethnic groups at that time.
After Qin Shi Huang unified the six states, the system of commanderies and counties was implemented, and the Zhangjiajie area was placed under Qianzhong Commandery. In the fifth year of Emperor Gaozu of Han (202 BC), Qianzhong Commandery was renamed Wuling Commandery, with Chong County under its jurisdiction, whose county seat was located around present-day Yongding District of Zhangjiajie—this marked the first clear county-level administrative establishment in Zhangjiajie's history. The establishment of Wuling Commandery signified the beginning of systematic rule by the central dynasty over this region. However, due to the region's geographical isolation, the Wuling mountain area was long regarded as "land beyond civilization," with Central Plains cultural influence mainly concentrated around the commandery and county seats, while the vast mountainous areas retained a relatively primitive tribal social structure.
II. Administrative Evolution: A Millennium of Transformation from Chong County to Dayong
The administrative evolution of Zhangjiajie is a history of continuous negotiation and integration between central authority and local forces. During the Western Han Dynasty, Chong County was subordinate to Wuling Commandery, with its territory roughly covering today's Yongding District, Wulingyuan District, and the western part of Cili County. From the Eastern Han to the Three Kingdoms period, the administrative structure of Chong County largely continued, but rule was unstable, with local indigenous chieftains frequently alternating between submission and rebellion. In the fourth year of Taikang in the Western Jin Dynasty (283 AD), Chong County was renamed Linli County, but soon reverted to Chong County, with frequent administrative changes reflecting the central government's weak control over this remote region.
In the eighteenth year of Kaihuang in the Sui Dynasty (598 AD), the court renamed Chong County to Chongyi County, under the jurisdiction of Li Prefecture. In the early Tang Dynasty, Chongyi County was merged into Cili County, and this area has since been under the long-term administration of Cili County. Notably, the Tang Dynasty began implementing the Jimi policy in the Wuling Mountain region, which nominally incorporated local chieftains into the prefecture-county system while recognizing their hereditary rule. This policy continued into the Song Dynasty, forming a pattern of "native officials governing native people," which laid the groundwork for the later Tusi system.
In the Yuan Dynasty, the Tusi system was implemented, and the Zhangjiajie area was divided under the jurisdiction of Tusi such as Cili Prefecture and Shixi Prefecture. In the second year of Hongwu in the Ming Dynasty (1369 AD), the court established Dayong Guard in Cili County, marking the first appearance of the name "Dayong" in history. Dayong Guard was initially a military garrison that also managed civil affairs, gradually evolving into an administrative division with both military and political functions. In the seventh year of Yongzheng in the Qing Dynasty (1729 AD), the court implemented the "reform of native chieftains," abolishing the hereditary Tusi system and establishing Yongding County, under the jurisdiction of Li Prefecture directly. In 1913, the Republic of China government changed Yongding County to Dayong County. In 1985, Dayong County was upgraded to county-level Dayong City. In 1988, it was upgraded to the prefecture-level city of Dayong. In 1994, with the approval of the State Council, Dayong City was officially renamed Zhangjiajie City, named after the world-famous Zhangjiajie National Forest Park within its territory, ushering in a new era of tourism-driven development.
III. Ming and Qing Dynasty Garrisons and Ancient Fortresses: The Military Defense Line of the Wuling Mountains
The Ming Dynasty was an important period in the historical development of Zhangjiajie. In the second year of the Hongwu reign (1369), Emperor Zhu Yuanzhang of the Ming Dynasty established Dayong Wei in Cili County to consolidate the southwestern frontier, governing five qianhusuo (battalion-level units) — front, rear, left, right, and center — with a garrison of approximately 5,600 troops. The establishment of Dayong Wei not only strengthened the central government's military control over the Wuling Mountains but also brought about large-scale Han Chinese migration. These military households and their families cultivated land and stood guard here, coexisting over the long term with local ethnic minorities such as the Tujia and Miao peoples, promoting ethnic integration and cultural exchange.
The implementation of the garrison system gave rise to the construction of a number of military fortresses. Dayong Guard City is located in today's Yongding District of Zhangjiajie City. The city walls were built with blue stone, with a circumference of about three li, and featured four city gates. Inside the city were facilities such as the guard headquarters, armory, and drill grounds. Despite centuries of wind and rain erosion, parts of the city wall ruins remain clearly discernible to this day. In addition to the guard city, Dayong Guard established a series of fortresses at strategic passes, such as military strongholds in Maogang, Sangzhi, and Yongshun, forming a well-layered defense system. These ancient fortresses were mostly built on mountains, occupying commanding heights that were easy to defend and difficult to attack, showcasing the superb craftsmanship of Ming Dynasty military architecture.
In the early Qing Dynasty, the Dayong Guard system was abolished, but its military legacy did not disappear. The Qing government established Yongding County on the basis of the original guard post and continued to station troops at key passes. In the mid-to-late Qing Dynasty, as the White Lotus Rebellion and the Taiping Heavenly Kingdom Movement spread turmoil to western Hunan, the ancient fortresses within Yongding County once again played an important defensive role. For example, Liujia Fort, located in Xiehe Township of Wulingyuan District in today's Zhangjiajie City, was a civilian defensive structure built in the Qing Dynasty to guard against bandits. Its walls are up to two meters thick and feature watchtowers and firing ports, making it important physical evidence for studying civilian defensive architecture in western Hunan.
Today, although most of these Ming and Qing ancient fortresses are in ruins, they still stand quietly among the towering peaks of the Wuling Mountains, telling the story of centuries past filled with the clash of arms and warhorses. For history enthusiasts, visiting these fortress ruins offers a direct glimpse into the physical remains of the Ming Dynasty guard system and the Qing Dynasty military defense system, serving as an important window into understanding Zhangjiajie's military history.
IV. Ancient Cities, Ancient Pagodas, and Ancient Pavilions: Frozen Memories of Time
Scattered among the mountains and waters of Zhangjiajie are numerous historical structures such as ancient cities, pagodas, and pavilions, which, like markers of time, highlight the city's rich cultural heritage as a tourist destination. The Lingyang Ancient City ruins, located in Chengguan Town of Cili County, served as the seat of Chong County during the Han Dynasty. Although no above-ground structures remain, archaeological surveys have revealed the city's boundaries, wall alignment, and layout of major functional zones. Artifacts unearthed, including rope-patterned eaves tiles and pottery jars from the Han Dynasty, provide invaluable materials for studying the urban development of Wuling Commandery during that period. These findings offer precious insights into the region's ancient city planning.
Among the ancient pagodas, the most representative is the Chongwen Pagoda, situated in Xixiping, Yongding District. Originally built during the Wanli reign of the Ming Dynasty, this brick pavilion-style pagoda stands seven stories tall, approximately 30 meters high, with an octagonal body featuring arched doorways and windows on each level, presenting a graceful and elegant silhouette. The construction of Chongwen Pagoda was closely tied to the cultural and educational development of Dayong Guard during the Ming Dynasty. At that time, military officers donated funds to build the pagoda to encourage their children to pursue scholarship and pass the imperial examinations, hence its name meaning "advocating culture and education." Having withstood over four hundred years of wind and rain, Chongwen Pagoda still stands tall, making it one of the few surviving Ming Dynasty above-ground structures in Zhangjiajie's urban area. Additionally, Cili County preserves the Meihua Hall (Plum Blossom Hall), built during the Qing Dynasty, whose exquisite wooden carvings demonstrate the superb craftsmanship of Qing-era architecture in western Hunan.
Among the ancient pavilion structures, the most renowned is the Sutra Depository Pavilion within Puguang Temple. Puguang Temple, located on Jiefang Road in Yongding District, was first built in the 11th year of the Yongle reign of the Ming Dynasty (1413) and is one of the largest Buddhist temples in western Hunan. The Sutra Depository Pavilion is a three-story building with a double-eaved hip-and-gable roof, standing about 20 meters tall, with upturned eaves and a majestic presence. The pavilion originally housed thousands of volumes of the Ming Dynasty edition of the Tripitaka, but unfortunately many were lost during times of war. The wood carvings and painted decorations in the Sutra Depository Pavilion are exquisite, with lifelike dragon, phoenix, and floral patterns on the beams, serving as important physical evidence for studying Ming Dynasty Buddhist architectural art in western Hunan. Adjacent to the Sutra Depository Pavilion are the Mahavira Hall and Guanyin Hall, together forming a complete Ming Dynasty Buddhist architectural complex.
These ancient city walls, pagodas, and pavilions, though not as famous as Zhangjiajie's natural scenery, carry the historical memories and cultural DNA of this city. For deep travelers, after admiring the spectacular peaks and strange rocks, it is worthwhile to spend half a day strolling among these ancient structures, feeling the traces left by time on bricks, tiles, wood, and stone—perhaps gaining a deeper understanding of Zhangjiajie.
V. The Hometown of Intangible Cultural Heritage: A Living Gene Bank of Tujia Culture
Zhangjiajie is a multi-ethnic region inhabited by Tujia, Bai, Miao and other ethnic groups, with the Tujia people accounting for the largest proportion, making up over 40% of the city's total population. For thousands of years, these ethnic minorities have created a rich and colorful array of intangible cultural heritage in the Wuling Mountain area, earning Zhangjiajie its well-deserved reputation as the hometown of intangible cultural heritage. To date, Zhangjiajie boasts 5 national-level representative intangible cultural heritage projects, over 20 provincial-level projects, and more than 100 municipal-level projects, covering various categories such as traditional music, dance, opera, fine arts, craftsmanship, and folk customs.
Sangzhi folk songs are one of the most representative national-level intangible cultural heritage projects in Zhangjiajie. Originating in the primitive farming era, Sangzhi folk songs have evolved over thousands of years of inheritance and development, forming a unique style characterized by resounding, melodious, and lingering tones. The songs encompass various types including work songs, mountain songs, ditties, and ritual songs, with the most famous pieces being "The Mulberry Tree Ladder Lamp Stand" and "Slowly Brewing Tea in Cold Water." Sangzhi folk songs are not only a true reflection of the Tujia people's daily life and work but also precious materials for studying the Tujia language, history, and folk customs. In 2006, Sangzhi folk songs were included in the first batch of the National Intangible Cultural Heritage List.
The Tujia Hand-Waving Dance is another important national-level intangible cultural heritage project. The Hand-Waving Dance is a traditional dance performed by the Tujia people to worship ancestors and celebrate harvests. Featuring bold and vigorous movements with distinct rhythms, it comes in two forms: the grand hand-waving dance and the small hand-waving dance. The grand Baishou dance is spectacular in scale, with up to several hundred participants, creating a magnificent scene. The small Baishou dance is relatively simple and is usually held in villages. At the cultural squares and performance venues in Zhangjiajie city center, visitors can often enjoy Baishou dance performances and experience the unique charm of Tujia culture.
In addition, Zhangjiajie boasts numerous intangible cultural heritage projects, including Tujia brocade (Xilankapu), Tujia Dalizi, and Zhangjiajie Yang Opera. Xilankapu is a traditional handwoven brocade of the Tujia ethnic group, featuring exquisite patterns and vibrant colors, and is hailed as the "Flower of the Tujia People." Daliuzi is a unique percussion performance form of the Tujia ethnic group, with gongs, drums, cymbals, and small cymbals sounding together in a lively and cheerful rhythm. Yang Opera is a folk opera popular in western Hunan, featuring beautiful singing and vivid performances that are deeply loved by the public. These intangible cultural heritage projects are not only renowned domestically but have also traveled abroad multiple times, showcasing the unique charm of China's excellent traditional culture in international cultural exchanges.
VI. The Code of Ancient Castle Architecture: A Symphony of Stone and Wood
The ancient castle architecture in the Zhangjiajie region is the crystallization of wisdom accumulated by the people of the Wuling Mountain area through long-term production and daily life, with its construction techniques and spatial layout embodying a wealth of cultural codes. In terms of building materials, Zhangjiajie's ancient castles primarily use locally abundant bluestone, red sandstone, and timber, forming a typical style of "stone walls, wooden roof frames, and green-tiled roofs." This choice of building materials was not accidental but based on a deep understanding of the local climate and terrain: the Wuling Mountain area receives abundant rainfall and has high humidity, so stone walls resist moisture and corrosion, while wooden roof frames offer good seismic performance.
In terms of architectural layout, Zhangjiajie's ancient castles generally follow the principle of "building along the mountain's contours, progressing layer by layer." Due to the mountainous terrain and scarce flat land, the castles are mostly built on slopes or terraces, with structures rising and falling with the topography, creating a rich skyline. Taking the Maogang Ancient Castle in Yongding District as an example, it was built during the Ming Dynasty, constructed along the mountain, with the outer gate, barbican, inner gate, and main castle tower distributed in sequence from the foot to the summit, each layer fortified, making it easy to defend and difficult to attack. The alleys inside the castle are narrow and winding, flanked by tall walls on both sides, showing a clear defensive orientation. This layout both adapts to the mountainous terrain and meets military defense needs, reflecting the exceptional wisdom of ancient craftsmen.
The architectural details of the ancient castles are equally noteworthy. Among the preserved castle components, exquisite stone carvings, wood carvings, and brick carvings can be seen. Stone door frames often feature carvings of auspicious beasts such as qilin and lions, symbolizing protection of the home and warding off evil spirits. The wooden window lattices often feature traditional patterns such as the swastika (wanzi) motif and ice-crack patterns, which are both aesthetically pleasing and ventilative. The chiwen (ornamental roof ridge beasts) on the ridges have vivid shapes, serving both decorative and waterproofing functions. These architectural decorations not only showcase the superb craftsmanship of the artisans but also reflect the aesthetic tastes and folk beliefs of the society at that time.
It is worth mentioning that the ancient castles in Zhangjiajie also reflect the fusion of multi-ethnic architectural cultures. Architectural forms such as the Tujia stilted houses, Miao stone houses, and Han courtyard houses can often be seen simultaneously within the ancient castles. This pluralistic coexistence of architectural styles is a vivid portrayal of the harmonious cohabitation and cultural exchange among the multi-ethnic groups in the Zhangjiajie region. For architecture enthusiasts, visiting the ancient castles of Zhangjiajie is like stepping into an open-air architectural museum, where one can read a wealth of historical and cultural information.
VII. Living Heritage: The Path of Revitalization for Intangible Cultural Heritage in the Contemporary Era
The protection and inheritance of intangible cultural heritage is an important topic in Zhangjiajie's cultural development. In recent years, Zhangjiajie has actively explored the living inheritance of intangible cultural heritage and achieved remarkable results. At the policy level, Zhangjiajie has successively issued local regulations such as the "Regulations on the Protection of Intangible Cultural Heritage in Zhangjiajie," bringing heritage protection onto a legal track. Meanwhile, the municipal finance allocates special funds each year for the investigation and documentation of heritage projects, subsidies for inheritors, and exhibition and promotion efforts.
Building the team of inheritors is the core of intangible cultural heritage protection. Currently, Zhangjiajie has 3 national-level representative inheritors of intangible cultural heritage, 15 provincial-level inheritors, and over 80 municipal-level inheritors. These inheritors not only shoulder the responsibility of passing on their crafts but also actively participate in activities bringing intangible cultural heritage into schools, communities, and scenic areas. For example, Shang Shengwu, a national-level inheritor of Sangzhi folk songs, has for many years taught folk songs in primary and secondary schools across Sangzhi County, cultivating hundreds of young folk song enthusiasts and ensuring the continuation of this ancient art among the younger generation. Ye Shuiyun, an inheritor of Tujia brocade, has established a studio in Zhangjiajie, taking on apprentices and combining the traditional techniques of Xilankapu with modern design to develop cultural and creative products with market potential.
The integration of culture and tourism has opened new pathways for the inheritance of intangible cultural heritage. At core scenic areas such as Zhangjiajie National Forest Park and Tianmen Mountain, visitors can enjoy intangible cultural heritage performances like the Baishou dance and Daliuzi. In cultural tourism districts like Xibu Street and Dayong Fucheng, intangible cultural heritage workshops and experience centers line the streets, where visitors can personally try their hand at traditional crafts such as Tujia brocade weaving and carving. This "intangible heritage + tourism" model not only enriches the tourism product offerings and enhances visitors' cultural experience, but also provides sustainable economic support for the transmission of intangible cultural heritage. According to statistics, in 2023 the output value of intangible cultural heritage-related industries in Zhangjiajie exceeded CNY 500 million, driving employment for over 10,000 people.
Digitalization has also injected new momentum into intangible cultural heritage protection. The cultural authorities of Zhangjiajie are advancing a digitalization project for intangible cultural heritage, employing technologies such as 3D scanning and virtual reality to digitally record and display important heritage items. Projects such as the Sangzhi Folk Song Database and the Digital Atlas of Tujia Brocade Patterns have already achieved initial results, providing technical support for the permanent preservation and wide dissemination of intangible cultural heritage. Meanwhile, Zhangjiajie is actively leveraging new media platforms such as short videos and live streaming to keep intangible cultural heritage "alive" in the present and "viral" at users' fingertips, attracting the attention and affection of large numbers of young netizens.
VIII. Echoes of History: Cultural Confidence Amid Mountains and Waters
Looking at the historical development trajectory of Zhangjiajie, from the dawn of civilization in ancient times, to the establishment of counties and prefectures during the Qin and Han dynasties, to the garrison forts and ancient castles of the Ming and Qing dynasties, and up to the modern era of tourism-driven urban development, every historical turning point has left a profound mark on this land. These marks are not isolated or fragmented, but rather interconnected and layered upon one another, collectively forming Zhangjiajie's unique historical and cultural lineage. It is precisely this deep historical accumulation that provides rich cultural resources for Zhangjiajie's tourism development today.
Within Zhangjiajie National Forest Park, there is a scenic spot called "Laomo Bay," which is said to have been a place where Xiang Dakun, a Tujia chieftain of the Ming Dynasty, stationed troops and practiced martial arts. Xiang Dakun was a Tujia chieftain of Cili County in the early Ming Dynasty, who led his people in resistance against the imperial court's oppressive policies, persisting in struggle for several years in the Wuling Mountain area before ultimately being suppressed by Ming forces. Although his uprising ended in failure, he left behind a heroic image in the hearts of the Tujia people, and his story is still widely told in local folklore to this day. In the Laomo Bay area, relics such as a training ground and a commander's platform still exist, adding a sense of historical depth to the natural landscape.
Similarly, Furong Bridge, located in Sangzhi County, is the hometown of Marshal He Long. He Long was one of the founders of the People's Liberation Army of China, and his revolutionary career began right on the soil of Sangzhi. Furong Bridge still preserves memorial facilities such as He Long's former residence and the He Long Memorial Hall, attracting a large number of visitors each year to pay their respects. The stories of He Long combined with the natural scenery of Zhangjiajie have created a distinctive "red + green" tourism route, allowing visitors to appreciate the beautiful landscapes while also feeling the spirit of struggle of the revolutionary forebears.
History is the reality of the past, and reality is the history of the future. Zhangjiajie's journey from a remote corner of the Wuling Mountains to a world-renowned tourist destination is itself a vivid history textbook. Standing at a new historical starting point, Zhangjiajie is embracing a more confident posture to explore historical and cultural resources, tell the stories of Zhangjiajie well, promote deep integration of culture and tourism, let history continue to echo through the mountains and waters, and let cultural confidence be steadily strengthened through inheritance and innovation.
