I. The Dawn of Civilization: Early Development of Southern Gannan from the Pre-Qin Period to the Han and Jin Dynasties
The history of Ganzhou can be traced back to the late Neolithic Age. In areas such as Shashi Town of Zhanggong District and Bailu Township of Ganxian District, archaeologists have discovered multiple cultural sites dating back approximately 4,000 to 5,000 years, yielding artifacts including stone axes, stone adzes, and stamped-pattern pottery shards. These remains indicate that as early as ancient times, the ancestors of southern Gannan had already thrived here, creating a primitive culture with distinct regional characteristics. During the Shang and Zhou dynasties, the Ganzhou region fell within the sphere of the Baiyue ethnic groups. With its towering mountains, dense forests, and crisscrossing rivers, the Yue people settled by the mountains and waters, sustaining themselves through fishing, hunting, and rudimentary agriculture.
After unifying the six states, Qin Shi Huang dispatched troops in 214 BC to conquer the Baiyue in the south, establishing the three commanderies of Nanhai, Guilin, and Xiangjun. Although the southern Gannan region was not directly organized into commanderies or counties, it was brought within the sphere of influence of the central dynasty. In the sixth year of Emperor Gaozu of the Western Han Dynasty (201 BC), the imperial court established Gan County and Yudu County (present-day Yudu County) in the area of present-day Ganzhou, under the jurisdiction of Yuzhang Commandery, marking the beginning of administrative establishment in Ganzhou. At the end of the Eastern Han Dynasty, the Sun Wu regime established the Southern Commandant of Luling in southern Gannan, with its seat located in present-day Yudu County, signifying the elevation of the military and political status of the southern Gannan region. During the Western and Eastern Jin and the Southern and Northern Dynasties, frequent wars in the north drove large numbers of Central Plains scholars and commoners to migrate southward, with some entering southern Gannan. They brought advanced agricultural techniques and Central Plains culture, leading to a gradual increase in population and initial development of the economy and culture in southern Gannan.
During this period, Ganzhou, though remote, became an important corridor from the Central Plains to Lingnan thanks to the Gan River—Dayu Ridge—North River waterway route. During the Eastern Jin Dynasty, the renowned Taoist Ge Hong once lived in seclusion at Tongtianyan in Ganzhou to refine elixirs and cultivate the Tao, leaving an early imprint of Taoist culture. In the Liang Dynasty of the Southern Dynasties, Buddhism began to spread to southern Jiangxi, and the first batch of grotto statues was carved at Tongtianyan, laying the foundation for the future flourishing of Buddhist art in Ganzhou.
II. Administrative Evolution: The Thousand-Year Transformation from Nankang Commandery to Qianzhou
In the ninth year of the Kaihuang reign of the Sui Dynasty (589 AD), the court abolished Nankang Commandery and established Qianzhou, with its seat in present-day Zhanggong District, Ganzhou, governing counties including Ganxian, Yudu, Nankang, and Dayu. The name Qianzhou was derived from the "Qianhua River," marking the beginning of Ganzhou's history as a prefecture-level administrative center. During the Tang Dynasty, Qianzhou belonged to the Jiangnan West Circuit and governed seven counties, with further economic and cultural development. In the fourth year of the Kaiyuan reign of the Tang Dynasty (716 AD), Zhang Jiuling was ordered by imperial decree to cut through the Dayu Ridge road, widening and repairing the Meiguan Ancient Road, making Ganzhou an important node on the Maritime Silk Road. This ancient road connected the Yangtze River water system with the Pearl River water system, and merchants, scholars, and officials traveling north and south passed through in an endless stream, earning Ganzhou the reputation of "the throat of Lingnan."
During the Five Dynasties and Ten Kingdoms period, Qianzhou was successively under the rule of the Southern Han and Southern Tang. In the first year of the Baoda reign of the Southern Tang (943 AD), Qianzhou was renamed Baisheng Army, and later restored to the name Qianzhou. In the first year of the Taiping Xingguo reign of the Northern Song Dynasty (976), the imperial court established Nan'an Prefecture, with its seat at Dayu (present-day Dayu County), standing alongside Qian Prefecture. In the 23rd year of the Shaoxing reign of the Southern Song Dynasty (1153), because the character "Qian" carried the connotation of a tiger's head and the local populace was known for its fierce nature, the court renamed Qian Prefecture to Ganzhou, drawing on the meaning of "the confluence of the Zhang and Gong rivers." The name Ganzhou has been used ever since. This renaming not only eliminated the inauspicious implication of the character "Qian" but also highlighted Ganzhou's geographical feature of "two rivers converging, embracing three rivers and encircling five lakes."
During the Yuan Dynasty, Ganzhou was elevated to a circuit and placed under Jiangxi Province. In the first year of the Hongwu reign of the Ming Dynasty (1368), Ganzhou Circuit was changed to Ganzhou Prefecture, governing counties including Ganxian, Yudu, Xinfeng, Xingguo, Huichang, Anyuan, Longnan, and Shicheng. The Qing Dynasty followed the Ming system, and the jurisdiction of Ganzhou Prefecture remained largely stable. During the Ming and Qing dynasties, Ganzhou Prefecture was the political, economic, and cultural center of southern Jiangxi, as well as a key military stronghold for the imperial court to control the border regions of Fujian, Guangdong, and Jiangxi. Through a thousand years of wind and rain, although Ganzhou's administrative divisions have changed repeatedly, its status as the central city of southern Jiangxi has never wavered.
III. Ganzhou in the Song Dynasty: The Golden Age of the Jiangnan Song City
The Song Dynasty was the most glorious period in Ganzhou's history. During the Jiayou reign of the Northern Song Dynasty (1056-1063), the prefect Kong Zonghan, concerned about frequent floods from the Zhang and Gong rivers, reinforced the city walls with bricks and stones and built the Bajing Terrace to enjoy the river views. During the Xining reign (1068-1077), Liu Yi served as the prefect of Qianzhou and oversaw the construction of the Fushou Ditch, a remarkable urban drainage system. The Fushou Ditch, designed according to the terrain of Ganzhou City, which is higher in the south and lower in the north, utilized natural ponds and channels to orderly drain rainwater and domestic wastewater into the Zhang and Gong rivers, and featured water gates (sluices) to prevent river water from flowing backward. This drainage system has remained functional for nearly a thousand years and is hailed as "a model of ancient Chinese urban sewerage," still serving as a vital drainage facility in Ganzhou's old city today.
During the Southern Song Dynasty, Ganzhou experienced a cultural golden age. In the 17th year of the Shaoxing reign (1147), the renowned poet Xin Qiji was appointed as the Judicial Commissioner of Jiangxi and stationed in Ganzhou. At Yugu Terrace, he composed the timeless masterpiece "Buddhist Dancers · Written on the Wall at Zaokou, Jiangxi": "Below Yugu Terrace flows the clear river, how many travelers' tears have fallen in its midst. Gazing northwest toward Chang'an, alas, so many mountains block the view. The green hills cannot block the river, which after all flows eastward. At dusk by the river, my sorrow deepens; deep in the mountains, I hear the partridges cry." This poem expresses the poet's grief over the fragmented nation and his longing to recover lost territory through vivid scenery, which also made Yugu Terrace famous throughout the land. Additionally, Zhou Dunyi, a Neo-Confucian philosopher of the Southern Song Dynasty, once served as a military judge in Nan'an Commandery and taught Neo-Confucianism in Ganzhou. His disciples Cheng Hao and Cheng Yi later became founders of Song-Ming Neo-Confucianism, earning Ganzhou recognition as one of the birthplaces of this philosophical school.
During the Song Dynasty, Ganzhou's handicraft industry and commerce flourished greatly. Ganzhou was one of the country's major ceramic production centers, with bluish-white porcelain and black-glazed ware from Qili Town Kiln sold both domestically and overseas. At the same time, Ganzhou was also an important shipbuilding base, where the government established shipyards with annual output ranking among the highest in the nation. Relying on the Gan River-Dayuling commercial route, Ganzhou city bustled with merchants and was dotted with guild halls, presenting a scene of great prosperity. Today, the well-preserved Song Dynasty city walls, ancient floating bridge, Fushou Ditch, Bajing Terrace, and Yugu Terrace in Ganzhou together form a complete historical panorama of the "Song Dynasty City in the South of the Yangtze River."
IV. Ming and Qing Garrison Stations and Ancient Fortresses: The Military Defense System of Southern Ganzhou
During the Ming and Qing dynasties, Ganzhou, situated at the junction of four provinces—Jiangxi, Fujian, Guangdong, and Hunan—featured rugged mountains, dense forests, and a fierce local populace. Coupled with frequent refugee uprisings, the imperial court established a rigorous military defense system here. During the Hongwu reign of the Ming Dynasty, the court established the Ganzhou Guard, which oversaw multiple battalion-level units, stationing troops for both defense and farming to safeguard the region. During the Jiajing reign of the Ming Dynasty, to defend against raids by Japanese pirates and roving bandits, counties under Ganzhou Prefecture successively built city walls and fortresses, forming a defense network with Ganzhou City at its core, county seats as support, and rural fortresses as supplements.
The ancient fortress architecture in southern Ganzhou is uniquely distinctive, with the most representative examples being the Hakka enclosed houses in Longnan, Anyuan, and Dingnan counties. These enclosed houses integrate residence, fortress, and ancestral hall into one, featuring thick and tall outer walls equipped with gun ports and lookout holes, providing strong defensive capabilities. The Guanxi New Enclosure in Longnan was built during the Jiaqing reign of the Qing Dynasty (1796-1820), funded by local wealthy merchant Xu Mingjun, covering an area of approximately 7,700 square meters, and is one of the largest and best-preserved Hakka square enclosed houses in China. The four corners of the enclosure feature watchtowers, with outer walls constructed from blue bricks, and inside are ancestral halls, living quarters, granaries, wells, and other facilities capable of housing hundreds of people; once under attack, closing the main gate could allow them to hold out for months. Besides the Guanxi New Enclosure, the Yanyi Enclosure and Liyuan Enclosure in Longnan, the Dongsheng Enclosure in Anyuan, and the Mingyuandi Enclosure in Dingnan are all outstanding representatives of southern Ganzhou enclosed houses.
These ancient fortresses are not only military defense installations but also historical testimonies to the migration, pioneering, and settlement of the Hakka ancestors. The ancestral halls, couplets, plaques, and murals within the enclosures contain rich Hakka cultural information, serving as precious material evidence for studying Hakka social structure, clan systems, and architectural art. In 2012, the southern Ganzhou enclosed houses were included in China's tentative list for World Cultural Heritage, with their historical and cultural value widely recognized.
V. Ancient Cities, Ancient Pagodas, and Ancient Pavilions: Ganzhou's Historical Landmarks
The ancient city of Ganzhou preserves a wealth of historic buildings, among which the ancient city wall, Bajing Terrace, Yugu Terrace, ancient floating bridge, and Ciyun Pagoda are the most representative. The Ganzhou ancient city wall was first built in the Eastern Jin Dynasty and was rebuilt with brick and stone during the Jiayou reign of the Northern Song Dynasty. It has been continuously repaired through subsequent dynasties, with about 3,600 meters of the wall still standing today, making it one of the most complete surviving Song Dynasty city walls in China. Built along the river, the city wall served dual functions of flood control and defense. Its wide top allows pedestrians to stroll along it, offering a magnificent view of the confluence of the Zhang and Gong Rivers.
Bajing Terrace is located on the ancient city wall at the confluence of the Zhang and Gong Rivers. It was first built during the Jiayou reign of the Northern Song Dynasty (1056-1063) under the supervision of prefect Kong Zonghan. Kong Zonghan commissioned painters to depict eight scenic views of Ganzhou in a work titled "Eight Scenes of Qianzhou," and invited Su Shi to compose poems for it. Su Shi wrote "Eight Poems on the Eight Scenes of Qianzhou with Preface," which brought fame to Bajing Terrace across the land. Bajing Terrace was destroyed and rebuilt many times over the centuries. The current structure was reconstructed in 1983, standing 28.5 meters tall with bracket arches and flying eaves, presenting an imposing appearance. From the terrace, visitors can take in the panoramic view of the Zhang and Gong Rivers merging and the beauty of the three rivers and six banks, making it the best vantage point for viewing the city of Ganzhou.
Yugu Terrace is situated atop Helan Mountain in the northwestern part of Ganzhou's urban area. It was first built in the Tang Dynasty and named for its lush trees and the solitary prominence of the mountain. The ci poetry of Xin Qiji in the Southern Song Dynasty brought widespread fame to Yugu Terrace, and since then, countless literati have climbed the terrace to compose verses in its honor. The current Yugu Terrace was rebuilt in 1983, standing 17 meters tall as a three-story pavilion-style structure. From the top, visitors can overlook the entire ancient city of Ganzhou. The Ancient Floating Bridge spans the Zhang River, first built during the Qiandao reign of the Southern Song Dynasty (1165-1173). It is formed by over 100 wooden boats linked together with iron chains, stretching about 400 meters in length, and remains in use today, making it a unique urban landmark of Ganzhou. Ciyun Pagoda is located in the eastern part of Ganzhou city, first built during the Tiansheng reign of the Northern Song Dynasty (1023-1032). It is a six-sided, nine-story brick pagoda in the pavilion style, standing 42 meters tall, and is the oldest surviving pagoda structure in Ganzhou.
6. Hometown of Intangible Cultural Heritage: Ganzhou's Living Cultural DNA
Ganzhou is an important birthplace and gathering place of Hakka culture, with exceptionally rich intangible cultural heritage resources. Currently, Ganzhou boasts over ten national-level representative intangible cultural heritage projects and dozens of provincial-level projects, covering various categories including traditional music, dance, opera, fine arts, craftsmanship, and folk customs.
Xingguo Mountain Songs are one of Ganzhou's most representative intangible cultural heritage items, originating in the Qin and Han dynasties, flourishing in the Tang and Song dynasties, and reaching their peak in the Ming and Qing dynasties. They are an art of improvised antiphonal singing created by Hakka ancestors while working in the mountains. Xingguo Mountain Songs open with the refrain "Ai ya lei—", featuring soaring and melodious tunes with simple yet vivid lyrics, covering themes of labor, love, daily life, and revolution. During the Agrarian Revolutionary War period, the people of Xingguo used mountain songs to spread revolutionary ideas and boost morale, leaving behind the celebrated tale of "one mountain song rallying three divisions." In 2006, Xingguo Mountain Songs were inscribed on the first batch of the National Intangible Cultural Heritage List.
Gannan Tea-Picking Opera is another cultural calling card of Ganzhou. It originated in the Jiulong Mountain tea region of Anyuan County, took shape in the late Ming and early Qing dynasties, and is an important genre of Jiangxi local opera. Gannan Tea-Picking Opera features three major performance techniques: the "dwarf step," "single sleeve," and "fan flower." Its language is humorous and witty, and its music is fresh and lively, making it deeply beloved by the public. In addition, traditional crafts and folk activities such as Yudu's Suona Gongpo Blowing, Shicheng's Lantern Decorations, Longnan's Fire Dragon Dance, and Quannan's Horse-and-Carriage Lanterns are also brilliant gems in Ganzhou's intangible cultural heritage treasury. Ganzhou also boasts a wealth of traditional handicraft techniques, such as Ganxian Tiancun Lantern Making, Dayu Nan'an Pressed Duck, and Ningdu Gucun Jia Wine Brewing. These skills have been passed down from generation to generation, carrying forward the wisdom of daily life and cultural memory of the Hakka people.
VII. The Architectural Code of Ancient Fortresses: The Construction Wisdom of Enclosed Houses
Gannan enclosed houses (weiwu) are a unique architectural form created by Hakka ancestors under specific historical circumstances. Their construction techniques embody rich wisdom and profound cultural connotations. The site selection of enclosed houses is extremely meticulous, typically nestled against mountains and beside water, facing south with a northern back—convenient for defense while also conducive to production and daily life. The plane layout of the enclosed houses is mainly in the shape of "entrance" (square) and "Return" (nested square), with the ancestral hall in the center, living quarters around it, and thick enclosing walls on the outside. The walls are built with blue bricks or rammed earth (sanhetu), generally ranging from 0.8 to 1.5 meters in thickness and reaching heights of over 10 meters, making them exceptionally sturdy.
The defensive design of enclosed houses is highly meticulous. Watchtowers rising above the roofline are set at the four corners of the house, each with firing ports on all sides, enabling comprehensive, blind-spot-free fire coverage around the entire structure. The main gate of the walled house is made of thick hardwood, clad in iron sheeting, with a heavy crossbar behind the door and a trough above the entrance from which boiling water or hot oil could be poured down to repel enemy attacks. Inside the walled house are living facilities such as a well, granary, mill, and pigsty, allowing it to be self-sufficient even when besieged for months. The drainage system of the walled house is also ingeniously designed, with rainwater and wastewater channeled through hidden drains to the outside, keeping the interior clean and hygienic without compromising the stability of the enclosing walls.
In terms of architectural decoration, the walled houses showcase the superb craftsmanship of Hakka artisans. The wood carvings, stone carvings, and colorful paintings in the ancestral hall are exquisite, with motifs mostly featuring auspicious patterns such as dragons and phoenixes bringing prosperity, flowers blooming in wealth, and scenes of fishing, woodcutting, farming, and reading. The couplets and plaques in the walled houses are often the work of renowned calligraphers, with content centered on passing down farming and scholarship through generations, loyalty, filial piety, benevolence, and righteousness, reflecting the values and life aspirations of the Hakka people. Inside the ancestral hall of Longnan Guanxi Xinwei, several couplets inscribed by renowned scholars of the Qing Dynasty are still preserved to this day, such as "Be diligent and frugal, to fulfill your father's will;" Be able to farm and read, without shaming your ancestors' legacy," fully embodying the traditional virtues of the Hakka ancestors in hard work, thrift, and reverence for education.
VIII. Living Heritage: The Contemporary Continuation of a Millennium-Old Legacy
Ganzhou's historical culture exists not only in museums and ancient texts but also thrives in the daily lives of contemporary people. In recent years, Ganzhou has placed great emphasis on the protection and revitalization of its historical and cultural heritage, investing substantial funds in the restoration and maintenance of historical sites such as the ancient city wall, Bajing Tower, Yugu Tower, and the ancient floating bridge, and on this basis has developed the Jiangnan Song Dynasty Cultural Tourism Zone. Strolling through the Song Dynasty scenic area, visitors can climb the ancient city wall, visit Bajing Tower, cross the ancient floating bridge, and wander through Zao'er Lane, as if traveling back in time to Ganzhou of the Song Dynasty a thousand years ago.
Ganzhou's intangible cultural heritage is also being revitalized through living inheritance. Xingguo folk songs enter campuses and communities, and a new generation of young folk singers is constantly emerging. Gannan tea-picking opera has launched a number of newly written plays that are deeply loved by audiences; Traditional folk activities in Hakka enclosed houses, such as Tiandingpao (firecracker ceremony for newborn sons), Shangdeng (lantern-lighting ceremony), and dragon dances, are still held with great festivity during holidays. Ganzhou also regularly hosts events such as the Hakka Culture Festival and intangible cultural heritage performances, bringing traditional culture into modern life.
The protection of Ganzhou's historical and cultural districts has also achieved remarkable results. Historical and cultural districts such as Zao'er Lane, Nanshi Street, and Yaoyaqian have been restored and renovated, preserving the original street layout and architectural style, while introducing cultural and creative shops, specialty dining, and homestays, achieving a virtuous cycle of protection and utilization. These districts have not only become important windows for visitors to learn about Ganzhou's history, but also popular destinations for local residents to relax and enjoy leisure time.
The historical lineage of Ganzhou spans over two thousand years, from the primitive settlements of the Baiyue peoples in the pre-Qin period, through the establishment of a county in the Han Dynasty and a prefecture in the Sui Dynasty, to the glory of the "Jiangnan Song City" in the Song Dynasty, and on to today's cultural inheritance and innovation. This city, known as the "Cradle of the Hakka," carries profound historical memories while radiating vibrant vitality and energy. The history of Ganzhou is a history of the fusion of Central Plains culture and Baiyue culture, a history of the Hakka ancestors' arduous pioneering and enterprising spirit, and a history of the continuous transmission and enduring vitality of Chinese civilization across the land of southern Jiangxi.
