I. The Source of Civilization: Mountain and Sea Imprints of the Ancient Dongyi State
The history of Lianyungang stretches far back, long before its current name came into being. Around 10,000 years ago in the Neolithic Age, traces of human activity already existed here. The Taohuajian Paleolithic site, located at the southern foot of Jinping Mountain in Haizhou District, Lianyungang, has yielded a large number of chipped stone tools, pushing the history of human habitation here back to an even earlier, more primitive era. Entering the Neolithic Age, the Dayishan Stone Coffin Tomb site (in Guanyun County) represents the distinctive character of the Qingliangang Culture. Its burial custom of constructing tombs with massive stones stands out uniquely among contemporaneous archaeological cultures in China, revealing early ancestors' natural worship of mountains and rocks and their concepts of the soul.
During the Xia and Shang dynasties, the Lianyungang area fell within the sphere of the Dongyi people, historically referred to as the "Renfang" or "Yifang." The Dongyi tribes of this period, leveraging their advantageous geography of being near the sea and mountains, developed an economic model combining fishing, hunting, and primitive agriculture. Oracle bone inscriptions from the Shang Dynasty frequently record campaigns against the "Renfang," with many of the routes pointing toward the Yellow Sea coast where Lianyungang lies today. In the early Western Zhou Dynasty, after the Duke of Zhou's eastern expedition, this area became part of the "Nine Yi" territories that paid tribute to the Zhou king. During the Spring and Autumn Period, the Lianyungang area successively fell under the intersecting spheres of influence of the Lu, Ju, and Chu states, culturally displaying a transitional character blending Qilu and Jingchu traditions, which laid the foundation for the region's distinctive cultural temperament in later years.
II. Administrative Evolution: A Thousand-Year Transformation from Qu County to Haizhou
Lianyungang's administrative establishment dates back to the Qin Dynasty. After unifying the six states, Qin Shi Huang established Qu County under Donghai Commandery, with its county seat located in what is today's Haizhou District. This history is supported by solid archaeological evidence: in 1979, a Qin Dynasty bronze measure inscribed with "Donghai Commandery, Qu County" was unearthed near Kongwang Mountain in Haizhou District, Lianyungang, serving as physical proof of the Qin Dynasty's unification of weights and measures. Xu Fu, the Qin Dynasty alchemist, set sail from the coast of this very area eastward to Japan, becoming the earliest legendary figure in the history of Sino-Japanese exchange. During the Han Dynasty, Qu County prospered from the profits of salt and iron, and Emperor Wu of Han established a salt administration office here. In the Eastern Han Dynasty, as Buddhism first spread to China, the cliff carvings at Kongwang Mountain were created during this period—an artistic treasure predating the Dunhuang Mogao Caves by approximately two hundred years, and one of the earliest pieces of evidence of Buddhism's introduction to China via the maritime route.
In the seventh year of the Wuding era of the Eastern Wei Dynasty (AD 549), Haizhou Prefecture was first established here, governing six commanderies and nineteen counties, and the name Haizhou has been in use for over 1,400 years since then. During the Tang and Song dynasties, Haizhou was a key node where the Maritime Silk Road intersected with the overland Silk Road, with Japanese envoys to the Tang court and Goryeo emissaries often landing here. In the Northern Song period, Haizhou prospered economically. Su Shi once served here, leaving the verse "Lush green Cangwu Mountain rises from the sea, Penglai and Fangzhang appear and vanish between being and non-being," praising the ethereal, immortal aura of Yuntai Mountain (anciently known as Cangwu Mountain). During the Southern Song, Haizhou became a frontline in the tug-of-war between Song and Jin forces, with its city walls repeatedly ravaged by war. In the Yuan and Ming dynasties, Haizhou fell under Huai'an Prefecture, and its subordinate counties of Donghai and Ganyu formed the basic territorial framework of today's Lianyungang City.
In 1933, construction began on the port at the terminus of the Longhai Railway. Taking the first characters of Lian Island and Yuntai Mountain, it was named "Lianyungang," and a brand-new port city was born. In November 1948, the entire Lianyungang area was liberated, and Haizhou and Lianyungang were merged into the new Xinhailian Special District. In 1961, Xinhailian City was officially renamed Lianyungang City, and this ancient land finally opened a new era of modern urban development under the name of its port.
III. Ming and Qing Guard Posts and Ancient Fortresses: Military Remains of the Coastal Defense Frontline
During the Ming and Qing dynasties, raids by Japanese pirates (wokou) and sea bandits made Lianyungang a key stronghold of coastal defense. During the Hongwu reign of the Ming Dynasty, the imperial court established a garrison system (weisuo) along the coast, with military units such as Donghai Zhongsuo and Donghai Zhongqiansuo set up within the Haizhou region. These garrisons were not merely military strongholds but also gave rise to distinctive fortified settlements (tunbao). Today's Xugou Town in Lianyungang District was the seat of the Ming-era Donghai Zhongsuo; its strategically formidable terrain commanded Haizhou Bay, and traces of rammed-earth foundation from the ancient fortress walls can still be found there.
Xingzhuang Ancient City in Ganyu District stands as a typical example of a Ming-dynasty anti-pirate fortress. During the Jiajing reign of the Ming Dynasty, to resist Japanese pirates (wokou), local gentry raised funds to build a castle with walls roughly three li in circumference, featuring four gates facing east, west, south, and north, and a cross-shaped street within—serving both military defense and civilian habitation. Similar ancient fortresses include Nancheng (Old Phoenix City) outside Haizhou, which was built along the mountain with walls winding over the Phoenix Mountain ridge; its east and west gates survive to this day, with the stone plaque reading "Ancient Phoenix City" clearly visible above the gate arches. These fortresses were typically constructed from locally sourced blue stone or rammed earth, equipped with watchtowers, crenellated parapets, and barbicans, reflecting the mature design of the Ming coastal defense system. During the Qing Dynasty, the Donghai Battalion was established in Haizhou to continue coastal defense, and the fortresses gradually shifted from military to civilian use, becoming centers for trade and market fairs in surrounding villages.
IV. Haizhou Ancient City: A Living Carrier of a Thousand-Year Cultural Heritage
Haizhou Ancient City is the core carrier of Lianyungang's historical and cultural heritage. Its layout was largely established during the Song Dynasty and underwent renovations through the Yuan, Ming, and Qing dynasties, preserving a complete street and alley texture to this day. The ancient city is centered on Zhongdajie (Central Street) and Xidajie (West Street) as its main axes, with the Bell and Drum Tower standing at the city's heart. This Bell and Drum Tower was first built during the Hongwu reign of the Ming Dynasty and has been rebuilt several times since. The existing structure reflects Qing Dynasty architectural style, standing three stories tall with upturned eaves and soaring corners. Climbing to the top offers a panoramic view of the entire city. The morning bell and evening drum once served as the timekeeping coordinates for the daily lives of Haizhou's residents.
The Double Dragon Well in the ancient city was dug during the Song Dynasty. Its water is clear, cool, and sweet, never drying up even in severe droughts, making it a vital source of domestic water for Haizhou. Ancient trees tower beside the well, and the spot remains a public space where citizens gather to cool off and chat. Outside the city's South Gate lies White Tiger Mountain, home to the Tang Dynasty Haiqing Temple Pagoda, also known as the Ashoka Pagoda. Built during the Tang Dynasty, this nine-tiered, octagonal brick pagoda stands about 40 meters tall. Having weathered over a thousand years of wind and rain as well as several earthquakes, it still stands majestically and is one of the oldest surviving ancient pagodas in northern Jiangsu. Within the ancient city is also the Confucian Temple built during the Ming Dynasty (now the site of Haizhou Experimental Primary School). Its Dacheng Hall retains Ming Dynasty structural features in its beam and frame system, serving as an important physical artifact for studying Ming Dynasty official architecture in northern Jiangsu. Strolling through Haizhou Ancient City, the blue-brick and gray-tile residences, the mottled stone-paved roads, and the signboards of time-honored shops all speak of the vicissitudes of this thousand-year-old city.
5. Kongwang Mountain Cliff Carvings: Evidence of Buddhism's Maritime Spread Eastward
The Kongwang Mountain Cliff Carvings, located at the southern foot of Kongwang Mountain in Haizhou District, Lianyungang City, are a nationally protected key cultural relic site. Legend has it that Confucius once climbed this mountain to gaze at the East China Sea, hence the name Kongwang Mountain (Confucius Gazing Mountain). Over a hundred cliff carvings survive on the mountainside, carved following the natural contours of the rock face, depicting Buddhas, bodhisattvas, disciples, guardian warriors, and secular figures. In the 1980s, leading Chinese archaeologists identified these carvings as dating from the Eastern Han Dynasty, roughly 200 years earlier than the Mogao Caves at Dunhuang (first carved in 366 AD during the Former Qin Dynasty), making them the earliest Buddhist cliff carvings ever discovered in China and a key piece of evidence for Buddhism's introduction via the maritime Key physical evidence of the Silk Road's introduction into China.
Among the carvings, the most striking is the "Nirvana Scene" at the center of the cliff face, depicting the mourning of disciples at Shakyamuni's passing into nirvana. Its composition and technique bear clear hallmarks of Han Dynasty stone relief style, reflecting the fusion of Buddhist art with indigenous craftsmanship as it first entered China. Additionally, the carvings include Jataka tales such as "The Bodhisattva Feeding His Body to a Tigress." Accompanying the cliff carvings is the Longdong Nunnery halfway up the mountain, home to a thousand-year-old ginkgo tree whose golden foliage in autumn creates a striking contrast against the gray tiles and red walls. The value of the Kongwang Mountain Cliff Carvings lies not only in their artistic achievement but also in how they rewrite the history of Buddhism's spread in China—Buddhism did not arrive solely via the overland route from the Western Regions, but also made landfall through maritime channels.
VI. The Sacred Land of Journey to the West: The Myth and Reality of Huaguo Mountain
Lianyungang is the cultural birthplace of "Journey to the West," a claim supported by solid documentary and geographical evidence. Although Wu Cheng'en (c. 1500-1582) of the Ming Dynasty was a native of Huai'an, he spent a long period active in the Haizhou area. The geographical features of Huaguo Mountain described in his "Journey to the West" as "the Divine Continent of the Eastern Victory, the Aolai Kingdom east of the sea" closely match the island topography of Yuntai Mountain (Huaguo Mountain) in Lianyungang. Before the Ming Dynasty, Yuntai Mountain was actually an island in the sea, only connected to the mainland during the Kangxi reign of the Qing Dynasty when the Yellow River changed course and silt accumulated to form land, which perfectly aligns with the overseas immortal mountain imagery of "the blessed land of Huaguo Mountain, the cave heaven of Water Curtain Cave" in "Journey to the West."
The Water Curtain Cave on Huaguo Mountain is a natural fissure cave with a waterfall cascading before it year-round, exactly as described in the novel. On the stone walls inside the cave, there are Ming Dynasty inscriptions reading "Water Curtain Cave." Yunti Peak, at an elevation of 624.4 meters, is the highest peak in Jiangsu Province. From its summit, one can gaze eastward over the Yellow Sea, and when shrouded in mist, it truly evokes a sense of "immortal mountain." Sanyuan Palace is the core ancient architectural complex on Huaguo Mountain, first built in the Tang Dynasty and restored in the Song Dynasty. The existing structures feature Ming and Qing styles, enshrining the Three Officials of Heaven, Earth, and Water. Additionally, the mountain features seventy-two caves and whimsical rock formations such as Bajie Stone and Tang Seng Cliff, each corresponding to episodes in the novel. In 2005, Huaguo Mountain was rated a national 5A-level tourist attraction, attracting a large number of domestic and international visitors each year to explore the "hometown of the Great Sage."
VII. The Hometown of Intangible Heritage: Haizhou's Five Major Tunes and Folk Crafts
Lianyungang boasts a rich array of intangible cultural heritage, the most representative of which is the "Haizhou Five Major Tunes." This is a traditional form of folk performing art that circulates in the Haizhou area, comprising five tune types: Ruanping, Dieluo, Nandiao, Lidiao, and Boyang. Performed with silk and bamboo instrument accompaniment, the melodies are graceful and delicate, combining the vigor of northern folk arts with the softness of southern ditties. The history of the Haizhou Five Major Tunes can be traced back to the Ming Dynasty. They are the localized product of popular Ming and Qing tunes after their spread and evolution in the Haizhou region, and were included in the first batch of the National Intangible Cultural Heritage List in 2006. Today, a number of veteran artists in Haizhou still persist in performing these tunes, and heritage training classes have been established at places such as Haizhou Experimental Primary School, ensuring that this ancient vocal art continues among children and young people.
Beyond folk performing arts, Lianyungang's traditional crafts are equally splendid. The "black pottery firing technique" of Ganyu District uses locally unique black clay as its raw material. Through hand-throwing, carving, and firing, the finished pieces are jet-black and lustrous, with walls as thin as paper, possessing extremely high aesthetic value. The "bean worm cuisine preparation technique" of Guanyun County uses soybean worm caterpillars as ingredients to create uniquely flavored dishes, a remarkable wonder of local food culture. In addition, there are folk art projects such as Haizhou paper-cutting, Lianyungang shell carving, and Donghai printmaking, which together form Lianyungang's colorful intangible cultural heritage tapestry. Every June, on "Cultural and Natural Heritage Day," Lianyungang hosts intangible cultural heritage performances across the city, bringing ancient crafts into modern life.
8. The Architectural Code of Ancient Fortresses: Defensive Wisdom Between Mountains and Sea
The Ming and Qing dynasty ancient fortresses in Lianyungang are not just military structures but also the crystallization of ancient people's wisdom in adapting to the mountain-and-sea environment. Take Ganyu Xingzhuang Ancient City as an example: it is situated on a high, dry terrace, with hills to the north and a river to the south, facilitating both water access and sea observation. The city walls were rammed with a mixture of lime, soil, and sand, faced with bricks on both sides, with bases several meters thick that taper upward, forming a stable trapezoidal cross-section. The city gate design is particularly elaborate, featuring a barbican (moon city)—a semicircular or square small enclosure outside the main gate—so that even if enemies breach the outer gate, they would be caught in a crossfire from all sides within the barbican. Along the city walls, protruding horse-face platforms (defensive towers) are placed at regular intervals, eliminating blind spots in defense and allowing flanking fire against besieging enemies.
The ancient fortress of Haizhou South City exemplifies mountain defense characteristics. The city wall winds along the ridge of Phoenix Mountain, fully leveraging the steep terrain to form a natural barrier that is easy to defend and difficult to attack. A drawbridge and moat are located at the city gate, with the moat fed by mountain springs that never run dry throughout the year. Within the fortress, residential houses are built in layers along the mountain slope, with narrow and winding streets and alleys that facilitate street-to-street combat during wartime. The drainage systems of these ancient fortresses are also quite ingenious, with stone-built drainage culverts at the base of the walls that quickly channel mountain floodwaters away, preventing waterlogging. Examining these ancient fortresses, one can clearly see the high maturity of Ming Dynasty coastal defense engineering, as well as the remarkable creativity of craftsmen in adapting to local conditions.
IX. Living Heritage: Historic Districts and Contemporary Life
The historical relics of Lianyungang are not specimens isolated from modern life, but are deeply integrated into the everyday fabric of the city. At the Bell and Drum Tower Square in Haizhou Ancient City, residents come every morning for exercise, while in the evening it becomes a lively venue for square dancing, chess games, and casual chats. Beside the Twin Dragon Well, residents still draw water with buckets to water their flowers, continuing a way of life that dates back a hundred years. In the ancient city's alleys, old-fashioned barbershops, shoe repair stalls, and traditional pastry shops sit side by side with trendy coffee shops and creative boutiques, creating a unique atmosphere where old and new intertwine.
Venues such as Lianyungang Museum, the historical and cultural district of Haizhou Ancient City, and Minzhu Road Cultural Street bring static history to life through exhibitions, markets, and immersive performances. For example, the annual Mid-Autumn Festival "Haizhou Ancient City Moon Worship Ceremony" recreates the Ming Dynasty ritual of moon worship, attracting large numbers of young people dressed in Hanfu to participate. Minzhu Road Cultural Street, built around commercial architecture from the Republic of China era, has introduced intangible cultural heritage workshops, time-honored restaurants, and art studios, making it a popular weekend leisure destination for locals. In addition, Lianyungang has promoted "Museums on Campus" and "Intangible Heritage in the Classroom" programs in primary and secondary schools, allowing young people to engage with and appreciate local history and culture from an early age. This philosophy of living heritage ensures that Lianyungang's historical lineage will not be severed by the process of modernization.
X. Historical Echoes: From the Eastern Bridgehead to a Node on the Belt and Road
Examining Lianyungang's transformation from ancient to modern times reveals a clear historical logic: its geographical location has determined its destiny. In ancient times, it was one of the starting ports of the Maritime Silk Road. Xu Fu's eastward voyage, the landing of Japanese envoys to the Tang Dynasty, and the Buddhist carvings at Kongwang Mountain were all products of maritime exchange. In modern times, the construction of the Longhai Railway made Lianyungang the most convenient seaport for the Central Plains and Northwest China. In 1984, Lianyungang was listed among China's first batch of coastal open cities, once again standing at the forefront of reform and opening-up. Today, as the eastern bridgehead of the New Eurasian Land Bridge, Lianyungang serves as a logistics hub connecting central and western China with Central Asia and Europe. The launch of the China-Kazakhstan logistics cooperation base has further elevated the city's strategic position to the level of international cooperation.
History has bequeathed Lianyungang a rich legacy: the Han-dynasty charm of Kongwang Mountain, the ethereal aura of Huaguo Mountain, the bustling life of Haizhou Ancient City, the weathered grandeur of ancient forts, and the refined elegance of intangible cultural heritage—together these form the city's cultural foundation. Meanwhile, the port facing the Yellow Sea, the crisscrossing railways, and the bustling container terminals represent Lianyungang's open posture toward the future. To understand Lianyungang, one must read both its historical depth and contemporary vision—this is a city that constantly renews itself in the millennial sea breeze, and every turn it takes is accompanied by an embrace of the ocean and a look back at the land.
